My practice sits at the crossing of image and writing, shaped by my background in philosophy. I work with black-and-white photography and intervene in some images through text, sewing, and embroidery. I don't seek to represent an experience, but to keep it open: to sustain the threshold where the minimal and the unnoticed acquire presence.

My work begins with a sustained observation of what is barely perceptible in everyday life. I'm interested in time as that which vanishes in the very gesture in which it manifests, and as the condition for the appearance of a fleeting beauty that never finishes completing itself. My inquiry is articulated in that impossibility of holding onto both the instant and the beautiful.

This way of looking is born in the writing of my Notebooks of Wonder, where I record fragments of what moves me in daily life. Over time, that practice extended into photography as a way of gathering traces of a presence that appears by withdrawing.

In some works, I write or embroider onto the photograph as a gesture of insistence. These interventions don't seek to decorate the image, but to prolong its temporality, leave traces, and point to the vulnerability of the instant.

I work from that interstice: between what appears and what is lost, in that which never fully comes to be, yet insists.